Ethereal Structure:
As an artist, I try mainly to express what I have inside me, rather than trying to fit into a label or the trends that are popular right now.
We are happy to welcome our new guest, Ethereal Structure !

From the ethereal depths of creativity, Ethereal Structure weaves a sonic tapestry that defies convention. With an insatiable passion for exploring the uncharted territories of electronic music, this enigmatic artist creates a distinctive blend of weird melodies and distressing textures that captivate the mind and stir the soul.

The music of Ethereal Structure is a journey into the unknown—a sonic odyssey that transcends the boundaries of traditional techno. Drawing inspiration from the esoteric and the abstract, each composition is a meticulously crafted exploration of sound, where unconventional beats and otherworldly harmonies converge to create an immersive experience for the listener.

We talked to the electronic music gem about his new EP 'Melodies For Uncertain Futures' and other projects! Enjoy!
RMH:
Welcome, Ethereal Structure! We're thrilled to have you with us. To start off, how have you been, and what has the journey been like leading up to the release of your 'Melodies For Uncertain Futures' EP?
Ethereal Structure:
Thank you! I am also very happy to discuss my new EP with you. In creating it, I really wanted to make tracks that combine club music with a more experimental approach and find the right balance between the two.To achieve this result, I actually spent several years experimenting, mostly on Ableton, to find "my" sound. And in the end, creating these tracks actually only took a few weeks.
RMH:
Your latest EP, 'Melodies For Uncertain Futures,' dives deep into the darker side of underground techno. Can you tell us about the inspiration behind this project and what themes you aimed to explore?

Ethereal Structure:
‘Melodies For Uncertain Futures’ echoes the general mood in the world. A phrase I like to repeat is "the future was better before"; we imagined flying cars and robots serving humans, but that future seems very distant today, especially when talking to younger generations.
And so the initial inspiration came from that. Being very attached to the notion of exploration and experimentation in Techno, I wanted to create tracks with a futuristic vision of the sounds used.

RMH:
This EP features remixes from Lewis Fautzi and Tauceti. How did these collaborations come about, and what do you think their unique styles bring to the project?
Ethereal Structure:
I indeed wanted to collaborate with artists I greatly admire on this record. I love Lewis's work for his electric sounds, which I find also quite futuristic in Techno, whether with his project Lewis Fautzi or his other projects. I am very happy that he chose to remix "Future Frequencies," bringing his more minimalist touch and reworking it into a 4/4 beat.
Next, for Tauceti, we had already invited her to one of our events with the crew I founded, "M.A.D Brains," a few years ago. I have always greatly appreciated her musical approach, both in DJ sets and in production. Indeed, I find her work very refined and relevant, and we both share a strong appreciation for working on textures. I believe this is what stood out to her and led her to decide to remix the track "Quantum Serenade," adding a deeper touch.

RMH:
You've had an impressive lineup of gigs recently, with performances in cities like Lisbon, Berlin, Spain, and Paris. How have these experiences influenced your music, and is there a particular city or venue that stood out to you?
Ethereal Structure:
I’m not really inspired by a specific place or city when I produce. I often try to start with an idea or an emotion and work around that, letting myself be carried by what emerges from it.

RMH:
As a Parisian artist, how has the local techno scene in Paris shaped your sound and career?

Ethereal Structure:
Even though I do have many influences in my music, I don't feel close to the Parisian scene at the moment. Back in the Concrete days, there were indeed line-ups that resonated with me more than they do today. However, music also goes through cycles, and I have no problem with that.
As an artist, I try mainly to express what I have inside me, rather than trying to fit into a label or the trends that are popular right now.
RMH:
What’s the strangest or funniest thing that’s happened to you during a gig?

Ethereal Structure:
A lot has happened in 13 years haha! But seriously, recently during a date, I was playing at the end and someone dropped me on industrial music at over 150 bpm (which is already quite good, let's be clear). Apparently, a girl didn't share that opinion. She stood in front of me for 2 hours, not more than a meter away, staring at me and scrolling through her phone with the message "we want bpm" displayed. Very strange moment.
RMH:
As we look ahead to the rest of 2024, can you share any upcoming projects or collaborations you're excited about? What can your fans look forward to next from Ethereal Structure?

Ethereal Structure:
A lot of tracks are in the pipeline for 2024. Additionally, I'm going to organize Ableton masterclasses in the city where I live (Caen), continue to work on event projects with my team at "M.A.D Brains," and develop our label, SF Records!

Editor: Olly Kuskova

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