I started DJ’ing in 2017 and learned how to produce 4 years ago, mainly with YouTube tutorials. Before the pandemic I was doing warm up gigs in my hometown with an average of 1 gig every two months. But when all clubs were closed due to the lockdown around the world, I took the time to improve my skills on producing and DJ’ing as well. I then got the chance to record my first HOR set and my career really started at that moment. Since, I’ve been working on making my way on the scene as a DJ and a producer in a world surrounded by men.

Yes I did 2 HOR shows, first was in 2021 and last one was in Nov 22. It’s not an easy thing to do, it’s a very stressful exercise because you can’t make a wrong move. It’s only one hour live and you have to captivate the audience in a short amount of time. However, it can be a big drive for your career and that’s what It helped me to achieve.

The idea of the label only came a year ago, I was wondering where I could sign my tracks because I didn’t see any label that could fit 100%. With Haku I want to bring to a light to unknown artists and give them the chance to express themselves on a bigger scale. It won’t be only focusing on new artists and those that are unknown, as I really want to release artists that I like, and play, whether they’re headliners or not.

Expect only heavy kick drums and Schranz grooves, might play some unreleased as well.

I don’t have one defined creative process, when I produce, I always start with the kick, and I let my imagination take the lead. So, depending on the mood of the gigs I had previously, it can be more industrial or melodic.

The track on Synoid was made a year ago, I got influenced by Russian vibes and industrial French kick. For Terminal V the track has more Schranz influences with an orchestral long break. So, two tracks, two different moods, but hopefully both will make you travel. The release on Terminal V has just been set for the 13th October, so keep an eye out for it.

My mother was born in Nancy, France, and moved in Paris after she graduated. I didn’t get the chance to spend lot of time with my father since he passed away when I was a child. I think I got my artistic side from my mother, she used to paint a lot when she was younger. I also have 2 sisters and a brother, they all were playing an instrument, so I guess it’s a family thing. 😊

When I build my set, I am always looking to surprise the audience with unknown tracks. I like to mix genres, from rave techno to trance, through Schranz and industrial. The most important for me is to tell a story with up and downs, always progressive and with a big finish.